Featuring lush, radiant colors, the scarf is based on the Louis Comfort Tiffany (American, 1848 - 1933) Magnolias and Irises Favrile glass window depicting a picturesque landscape. The window features an embankment of irises beneath flowering magnolia trees. Magnificent purple hills with a central meandering stream, emblematic of the River of Life theme, are set in the background. 100% silk chiffon. 65”L x 17.5”W. Please note: This item does not qualify for discount coupon offers.
Not Your Garden-Variety Floral Collection
Alexandria Maison Singapore
MMA Metropolitan Museum of Art, Van Gogh Irises Shawl, 80 x 20
THE METROPOLITAN MUSEUM OF ART Silk Louis C.Tiffany Grapevine Scarf 52cm x 52cm
, The Tiffany Iris Landscape Cotton Tea Towel features a beautiful and classic design by Louis Comfort Tiffany (1848-1933), bringing a bright
Louis C. Tiffany Iris Landscape Tea Towel
Featuring lush, radiant colors, the scarf is based on the Louis Comfort Tiffany (American, 1848 - 1933) Magnolias and Irises Favrile glass window depicting a picturesque landscape. The window features an embankment of irises beneath flowering magnolia trees. Magnificent purple hills with a central meandering stream, emblematic of the River of Life theme, are set in the background. 100% silk chiffon. 65”L x 17.5”W. Please note: This item does not qualify for discount coupon offers.
Metropolitan Museum of Art Louis C. Tiffany Iris Scarf, Iris
The Metropolitan Museum of Art
Silk Scarf Scarves for Women 64 x 18 Blue Louis C. Tiffany Iris Design at Women's Clothing store
REPORTS OF THE DEPARTMENTS - Metropolitan Museum of Art
The shimmering design of the Tiffany Peacock Feather Shawl was inspired by the Louis Comfort Tiffany (American, 1848–1933) iridescent glass vase produced by Tiffany Glass and Decorating Company in 1900. The piece stylizes the eye of the peacock feather with rich iridescent hues gradating to a light blue surrounding the eyes.
PBS Louis C. Tiffany Peacock Feather Shawl
The Clamor of Ornament: Exchange, Power, and Joy from the Fifteenth Century to the Present by The Drawing Center - Issuu